Venice is an attractive, middle-aged woman who cuts hair in an old-fashioned barber shop in Portland. She cut my hair a few months ago when I was visiting and did such a good job that I made a point of going back the next time I was in town.
When I slipped into her chair I remembered vaguely that she'd mentioned that she had a new relationship going with her postman, so I asked if her letter carrier was still making special deliveries.
She sighed and said the relationship was on hold because he had “trust issues.”
“You mean he's a jealous asshole?” I asked.
“Yeah,” she said and starting snipping at my hair before she stopped herself, stepped back and asked how I wanted my hair cut. She was obviously having concentration issues.
Later that day I stepped inside a bank to report that the walk-up ATM machine wasn't working. The teller closest to the door shrugged her shoulders and said, “It's a new machine last week and it's been having issues ever since it was installed.”
So now I'm having issues with the whole issues issue. It seems like nobody confronts problems or acts badly these day, they just have issues.
Bullies have self-esteem issues. Drug addicts are burdened with dependency issues. I suppose serial killers are just dealing with life-taking issues.
Like many things, once you become sensitive to them, you start to see them everywhere. The other day I stopped into a neighborhood pub and found a nice-looking older woman named Rose holding down the stool next to me.
Rose, I quickly discovered, suffers from both “unemployed senior issues” and "latching onto strangers at bars issues”; but she was a good soul and I told her as much while I gulped my beer, then ran like a guy with "afraid to look back to see if he is being followed issues.”
I'm old enough to remember when people didn't have issues, children had disorders (“Oppositional Defiant Disorder”, “Attention Deficit\Hyperactivity Disorder”, etc.), often caused by genetic or physical problems; but adult problems without physical roots were complexes or syndromes. Post-first marriage baby-boomer men suffered from “Peter Pan Complex” and disillusioned women had a choice of either “Wendy Complex” or “Cinderella Syndrome.”
The diagnoses sounded to me like descriptions of behavior rather than symptoms of a disease, but people I knew talked as if it was because of their syndrome that they acted immature, too bossy, or had unrealistic expectations for relationships.
At the time, a psychologist friend of mine – who'd started seeing a lot of clients suffering from dysfunctions with Disney character names – told me he had identified a new dysfunction that he called: “Rumpelstiltskin Syndrome.” As he defined it, it is any anxiety-related condition which begins to clear up as soon as a therapist gives it a name.
I have no issue with that.
A few short short stories, columns and random thoughts by journalist, humorist and columnist Stan Matthews
Wednesday, October 31, 2012
Monday, October 29, 2012
Too Many Different Kinds of Things
My favorite piece of advice for
aspiring managers has always been, “Never admit that you know how
to clear a jam in a photocopier.” It's something that invites even
the lowliest employee to delegate grunt work to you.
It's perfectly logical, but I always
enjoyed clearing my own jams, and creating my own spreadsheets,
databases, and websites. When a new piece of software or hardware
came into the workplace I'd always curl up with the manual until I
mastered it. When a new programming language came out, I'd buy some
books and take them with me camping on an isolated stretch of the
Rogue River or at the fire tower overlooking the Three Sisters in
central Oregon. I found it an exciting union of technology and
nature.
But as time passed, my non-technical
job responsibilities grew and new hardware and software started
coming out faster than I could learn it; printed manuals disappeared,
and instructions started being given in pay-to-play “webinars” --
a bastard of a word if ever there was one. Still, I hate not knowing
how to take something apart and put it back together – at least in
theory.
I remember attending a panel discussion
where several great minds debated the relative merits of scientists
having broad general knowledge versus in-depth command of a narrow
area of study. The moment in that discussion which stands out in my
memory came when one of the participants quoted a British academic
chiding a confused colleague by saying, “The trouble with you sir,
is you know too many
different kinds of the things.”
The trouble with having too much
technical knowledge is that it's tempting to spend your time clearing
jams in copy machines instead of creating content, programming
spreadsheets instead of running a business, or learning a new
computing device instead of writing the great American novel.
When I had a business that created
custom software, I found that the hardest part wasn't writing the
program, it was figuring out what the client wanted to do. It wasn't
unusual to be in the initial meeting and have someone say, “What we
need is a form with two drop-down boxes, a set of check boxes and a
button . . .”
After the fourth or fifth time I
confronted that kind of thing I started interrupting with, “Before
we start talking how we're going to feed this thing, tell me what you
want to come out of its ass end.” Often, it would take hours to
figure out what the client really wanted, because they had been so
focused on the tools rather than tasks.
If I had to divide people into two
categories I would say there are: (1) Technicians – people who are
fascinated with tools, and (2) Architects – people with a vision
that cannot become reality without the use of tools. (There are also
politicians, but I'll deal with them another time.)
Technicians always have the coolest
toys and the best home entertainment centers, but most people's eyes
glaze over as soon as they start talking.
Architects tend to do well at cocktail
parties, but you can't sleep in a castle built of dreams.
The real danger of being too much the
architect and too little the technician is falling prey to
technicians who believe their ability to control the plumbing is a
license to control the creative forces in society.
Several years ago I had a client who returned from a professional association conference with the
pronouncement, “I'm convinced that within five years our whole
business will be Internet-driven.”
I asked, “So what's driving it now?
Telephones? Fax Machines?”
The Internet is, of course, just a data
delivery system. Like airports and highways, it enables things to
move around, but doesn't drive anything.
A pure technician sees a tool and looks
for a problem it can solve. The danger in that is, as psychologist
Abraham Maslow observed, “If the only thing in your toolbox is a
hammer, everything looks like a nail.”
A pure architects sees a problem,
thinks up a solution, then tries to find tools that will fit the
solution. Architects and technicians need each other, but while an
architect's hands may be on the steering wheel, technicians control
the throttle and the brakes.
To offer a first-hand example: In the
county government I work for there's an ongoing struggle for control
of the budget between the elected official that controls the
accounting software that holds the budget data and the appointed
official to whom the county charter delegates responsibility for
making budget decisions.
The appointed official can hold his
breath until he turns blue, but nothing gets entered into the budget
program until the independent department head approves. The result
has been the creation of a parallel budgeting system – which, of
course – adds another technical gatekeeper into mix.
How does one find a balance between the
dreamers and the keepers of the tools?
Please don't look to me for an easy answer.
I'm afraid that I know too many different kinds of things.
Thursday, October 11, 2012
The Empty Page
It's been so long
since I've put words on paper,
that I'm afraid that
my words may have
become bored with me
and fled to younger
more energetic
minds.
I see young men and
women
that look like
children to me,
producing plays,
creating songs,
writing parody and
farce;
with the thoughts
and
restless lust for
life
that I once owned, as if
at a yard sale.
Writing is scribbling on a page
until the scribbles map
a corner of the writer's soul.
until the scribbles map
a corner of the writer's soul.
An empty page is
an unforgiving
mirror.
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